On its own terms: “Specific Forms” at Loretta Howard

Contributed by Kim Uchiyama / “Specific Forms” at Loretta Howard Gallery illuminates a particular moment in 20th century art history where works created by a variety of artists occupied the space between the then diverging ideologies of a you500彩票网手机版官网ng Donald Judd and those of the older critic Clement Greenberg. Saul Ostrow has curated a finely-tuned … read more… “On its own terms: “Specific Forms” at Loretta Howard”

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The political power of art

Contributed by Jonathan Stevenson / In a typically penetrating New York Times column earlier this month, David Leonhardt pointed out that one of Franklin Delano Roosevelt’s many insights was the need to showcase as well as merely extend government largesse in order to impress upon its beneficiaries the ongoing value of the federal government’s involvement in their … read more… “The political power of art”

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Susan Rothenberg: Hope and discontent

Contributed by Sharon Butler / Susan Rothenberg’s invariably forceful and confident paintings have a beguiling twitchiness, created out of layers of agitated brushwork from a restless hand. In her latest solo at Sperone Westwater, she continues to embrace a non-serial approach, presenting paintings and drawings of various objects and animals she encounters in everyday life. … read more… “Susan Rothenberg: Hope and discontent”

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Essex Flowers: Waiting to be activated

It saved me once too often,You’d never know how often.I’ve pictured you500彩票网手机版官网 in coffins:My baby in a coffin.But I love it when you500彩票网手机版官网 blink you500彩票网手机版官网r eyes. — Distortions, by Clinic Contributed by Zach Seeger / How do we know we’re still alive? Reverse Marie Kondo: the accumulation of our stuff; at least this was how … read more… “Essex Flowers: Waiting to be activated”

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On a Cartoon Graveyard

Contributed by Julian Kreimer/ At 3:10 pm on a blustery Thursday afternoon, the falling sun refracted off the 3rd floor windows of PS 42, the Benjamin Altman Elementary School, named for the department store magnate, a first-generation son of Bavarian Jews who rose from running a small Lower East Side dry-goods store to opening one of … read more… “On a Cartoon Graveyard”

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The Daily

Contributed by Sharon Butler \ I was recently invited to select work from an Open Call at the Ely Center for Contemporary Art in New Haven. Looking at more than 300 worthy submissions (and reading all the artist statements) I was drawn to work that’s rooted in materiality, ritual, and the structure of daily life. … read more… “The Daily”

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Steve Hicks: Sparring shape and line

Contributed by Carol Diamond / Steve Hicks’s oil and acrylic canvases exude confidence and exuberance, like a teenager sporting a new outfit and venturing out to face the world. I’ve got this, the paintings seem to say. Hicks’s shapes and lines, his layers and hues, impart a robust, jaunty sense of speed and physicality. For all … read more… “Steve Hicks: Sparring shape and line”

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Two Coats Selected Gallery Guide: January 2020

Contributed by Sharon Butler / Wake up everyone, the holidays are over! Get back to work! Go out and see some shows! This month, despite the unseasonably warm temperatures, a few galleries seem to be on winter hiatus, but we have plenty of options nonetheless. Dan Walsh at Paula Cooper, Susan Rothenberg at Sperone Westwater, … read more… “Two Coats Selected Gallery Guide: January 2020”

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Kathryn Hart: A feminist in Venice

Contributed by Emma Stolarski / Kathryn Hart’s “New Dawn,” an inventive site-specific exhibition of sculpture and photography, contemplates the simultaneous organic processes of generation, regeneration, degradation, and, finally, documentation. Each wire-and-fiberglass sculpture incorporates the tension between becoming and eroding, renewal and entropy, growth and decay. The pieces glisten with an embryonic presence and almost seem … read more… “Kathryn Hart: A feminist in Venice”

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Art and Film: 2019 Top Ten

Contributed by Jonathan Stevenson / It’s been a fine year for movies, their demise due to streaming having been greatly exaggerated notwithstanding awkward episodes like the theatrical release of Netflix-backed The Irishman. Here is my inexorably subjective and eminently debatable list of the Top Ten dramatic films of 2019. The Irishman. Still the king of the … read more… “Art and Film: 2019 Top Ten”

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